Sony Richter and The Silver Express https://sonnyrichterthesilverexpress.bandcamp.com/album/sonny-richter-at-home-live-and-in-the-studio-1949-1992-part-one
Jimmy Norman’s Wallin’ Riddims https://tuffcityrecords.bandcamp.com/album/jimmy-normans-wailin-riddims
Rocky Marsiano https://rockymarsiano.bandcamp.com/album/meu-kamba-jazz-volume-um
Lord Born X Refinement Eye https://spaghettiblacc.bandcamp.com/album/surgeon-general-monk-monk
Cuiibaii https://cuiibaii.bandcamp.com/album/–4
Jazz is neither dead nor dying. The stench of cremated or decomposing creativity you smell is just yer underpants in action, mate! Yes in this country and even more so globally, jazz history acts like a hunk of ongoing burning cultural miscegenation(i.e. fucking!) with other music/people/places/things defying blockhead ideologues of all flavors of diarrhea.
Jazz drew from blues and ragtime, spirituals, folk, marches, European and West African classical music, Asian scales and tonality (so said Chicago’s answer to Jimi Hendrix/Eddie Hazel/maybe Arthur Lee…The Lord of Lightning to me over 30 years ago), etc. Jazz grew from the late 19th century New Orleans, Louisiana Black experience but branched out in the 20th Century from Chicago to Detroit to New York City to Tokyo to Birmingham to Gigglesnort Hotel to the Ballrooms of Mars…
All music forms fluctuate in development and communication via general capitalist market rollercoaster rides. Rock and Roll popularity didn’t kill jazz as mass appeal dance music in the 50s and 60s. Jazz was absorbed in rock and roll drums, guitar, piano, etc. riffing and soloing. Jazz rode on surf music onto garage and psychedelia (UK freakbeat https://en.m.wikipedia.org/wiki/Freakbeat as well)into heavy psych into heavy metal and proto punk (Stoogist MC5 Albert Ayler Sun Ra Detroit proto proletarian space shuttles not death trips for billionaire statist gyp grips) space rock and cosmic disco … even digital dance branches of house music, footwork, IDM, etc. can thank jizz in spizz energi dancing trancing inner and outer lucid ludic luminous lashings of lawful losers/ loyal leeches.
Elements of jazz were synthesized in country and western 50s music. The songs recorded by Sonny Richter and The Silver Express on Sonny Richter’s At Home, Live, And In The Studio 1949 to 1992 Part One link the country bebop rockabilly train to common proletarianized experiences with rumbustious rockabillity.
On rockers like “Keep Your Motor Hot”( with Sam Nichols on vocals)and “Tennessee Saturday Night” (with the Sons of The Golden West)you can hear the spirit of Hank “Bocephus”Williams prompting fragments of Eugene Chadbourne’s vintage yet free improv skronk nuggets to spice up these dancers. However, accordion squeezing sweetens the C&W roots better than Robert Plant’s lemonade one night stand on “Yearning(partial)with The Western Gentlemen” and on the almost surf music sublime trip “Tico Tico” by them too.
Instrumental home recordings such as “Instrumental #3” show how much the C&W jazz wave flowed from innovator Les Paul to Chet Atkins to Roy Clark and onwards with moments ,perhaps unconscious, open to C&W LSD as a concept and weapon against Cold War paranoia within the Western privatized capitalist countries and the Eastern bloc of state capitalist bureaucracy. Some of these instrumentals also sound Hawaiian to slight degrees. Surfing in LA at the time Sony Richter was home recording must’ve been blurred experiences without a need to even leave the room.
To sum up Sonny Richter’s At Home, Live, And In The Studio 1949 to 1992 Part One , I need this kind of rootsy yet variable cosmopolitan jazz cool that unconsciously reflects eros and deprogramming and early self radical reprogramming in and out of your living room or dorm or RV or squat or… A strong beer and a shot or three or fine liquor or tikki drinks or non alcoholic creative dessert drinks would pair well with these bopping boops !
Jimmy Norman’s Wallin’ Riddims by Jimmy Norman Riddim is a superb sampling of 1967 and 1968 reggae carrying over the Jamaican musicians influence picked up from southern American radio broadcasts of R&B and jazz in the late 50s. This is one of several early reggae releases that contains plenty to dance to with top notch session band performances.
Most of Jimmy Norman’s tracks are instrumentals but he sings a bit on “No Job” to good effect. Reggae often criticized social problems and so on in its late 60s to 80s generations before dance hall dominated the Jamaican DJ scene. Hypnotic without being too technical or boring, this whole reggae album socks it to you! I can’t find any serious flaws upon repeat listening . You must play this on speakers outside your house or in your vehicle. The neighborhood under the influence of the likes of reggae history will pie and seltzer the cops as part of their block parties/psychological therapy sessions as preludes to realizing concretely collective praxis( critical thinking fused with creative experiments to scientifically test hypotheses and/or to better understand what we are up against especially in class war).
Rocky Marsiano on Meu Kamba Jazz Volume Um manages to whip up a winning polyrhythmic punch mixed with Afro Latin jazz, hip hop beats, and Amsterdam, The Netherlands cold charm.
I can imagine a track like #9 as a rollicking summer day in a forest preserve picnic with friends and/or family. However, when I translated Chinese to English the name of this Bandcamp post out came”The Age of Obscenity!” “Stroll Around” was what translated as a song. Another track suitable for outdoors is “Nanjing Road.” Thirty seconds of “As Far Away As A Yellow Crane” sort of felt like a happy number and a code for something else…maybe asymmetrical warfare? What year was that last one? Was Mao still an anarchist when that record came out?
The whole recording feels like a travelogue of psychogeographical mapped out memories and sensations as well as a traveling party acting as both a Durruti column https://en.m.wikipedia.org/wiki/Durruti_Columnnd ( liquidating reactionary forces within and outside the State’s monopoly of violence as part of asymmetrical tactics associated with jazz spazz improvisation as much as surprise combat attacks almost comedic in execution)and an exercise in anti-state holiday praxis of say festival clock destruction spread locally and globally under the right conditions.
Some of the best tracks include “O Calor” with flashes of a ring modulation guitar effect pedal swirling in a sea of percussion sharks, “Don’t Make A Sound” with scatting percussive background vocals which probably would make your cat or cats roll around and show their belly or bellies rhythmically, “Hoi Hoi” with male vocals sounding like guys who are 5 inches tall (perhaps escaped prodigies from a Universal Pictures double feature with The Incredible Shrinking Man?).
Rocky Marsiano released two earlier full length recordings on Bandcamp. I’ll have to check those out later. Where Rocky will fly next with his muse we will find out whenever the next recording is finished. Hopefully, it will appear before Bullwinkle tries another back firing magic act again. And for those who didn’t grow up with Bullwinkle TV reruns https://g.co/kgs/ZbCNHQ
Anybody who draws from free jazz while simultaneously absorbing death industrial, power electronics, tribal ambient, no wave, glitch, etc. and dealing with Black existence and liberation already should be on your listening list. Spaghetti Blacc is a pseudonym carried by Lord Born X Refinement Eye who has other ways to merge experimental and hip hop sounds and visions as well .
On Surgeon General Monk Monk the short beginning track “Pilaf”makes you feel the anger and intelligence channeled away from Black on Black prole violence as a sporting event that Drill and other limited rap often capitalizes on. Some of you might know non/anti-conservative and non/anti-liberal Afro Futurists believe in liberating the present as the future will consist of what we collectively organize, make, and unmake today.
“Atom Goat Devil” is an epic (29:15)Black industrial power electronics enema with junkyard polyrhythms while scorching the connectivity of misery and mediocrity. Social media that grows on social separation daily. The US federal government branch is threatened by other international capitalist entities diverting attention spans/ emotional and other blackmail away from their collaboration with trusted domestic specialized brain bombs experimenting in manifold destiny. Torture chambers become real estate to be fought over. “Atom Graft Devil” packs a multifaceted wallop. 29:15 is not enough! At times it reminds me of old yet not gone fierce family tv programming and a show down between anomic autonomous androids and city sewer electronics shock troops. Non human factions seeking and destroying trying to pick up where we left off.
” Friends Sacrifice” meditates on inner space and broken shot clock zones. One can dwell on friends/lovers/comrades gone or still around with schedule conflicts challenging our relationships as well as those we haven’t met yet but know praxis is a probability when more disgruntled yet creative humorous mutants converge beyond alienated labor, welfare bureaucracy, school to prison lead roller coaster rides to cheap and precarious labor options disguised as humanist rehabilitation.
“Reminiscent of Earthworm Locomotion” is where barb wire No Wave guitar and industrial damage merge under New York City as a martial exercise in Mole People factionalism yet also an exercise through ransacking the likes of power plants, Wall Street, banks, supermarkets, hospitals, etc. during late night. Both No Wave and especially early industrial noise possess jazz DNA as much as King Oliver and Ella Fitzgerald. However, the former is the first negation of existing conditions and the second is the negation of the negation or positive transcendence into new collective self organization and relations beyond capitalism and statism… classless creativity transcending ruins of complacency.
I don’t need to go further. This is one of the best moments of 2023 I happened to take a random chance on. Not for those who feel jazz must be safe and sound like Chuck Mangione or that jazz isn’t already an orgasmic odyssey of cultures with mutts, guts, and “nuts” historically that avoids eugenics and other emotionally plagued ideological repressive and oppressive comfort. Remember, Kenny G appeared on avant extreme metal power trio Imperial Triumphant’s song “Merkurius Gilded” and video because he is the father ,Kenneth Bruce Gorelick, of Max Gorelick who plays guitar and played with Imperial Triumphant before. It wasn’t a problem to bring Max’s father in. Jazz opens up collaboration and calibration; jazz opens vortices for escaping constrictions and deconstructing contradictions.
While Lord Born X Refinement Eye might have traces of nihilism in his approach to rap, he has more in dynamics, passion, and imagination to offer people. This is still music with fight in it but it is up to us to critically and creatively expand this and other fights further, deeper, and wider against and beyond the existing order.
One more effort if you are to become a revolutionary !
Factors that led me by chance to M25S05LF and their latest release binaural Banter include: free improv or experimental electric guitar, guitar effects pedals, Cort electric guitar, abrasive tight math rock/math punk/mathcore/mathgrind, No Wave, abstract cover art that subjectively attracted me more than say umpteenth gore and misogyny banal miserabilist/ religious fundamentalist art for the gore and porn grindcore subgenres market, I’m interested in mixing angular abstraction and mass appeal moves with guitar in either my band or others with overlapping affinities.
One of the first electric guitars I tried out in my teens was a black mid or early 80s Cort. It sounded good although I wanted a more expensive cooler one( including Gibson models as heavy as a walrus). My dad and I considered I was a beginner. The sales person said I was intermediate. Others at different music stores repeated the same intermediate skills mantra. The manic yet absorbing guitar played on binaural Banter reminds me of both my teenage rampages and current skills and associations that my basic skills and atonal power flights led me to.
“Treeesha” alone is a thriller killer looking for theoretical physics experiments at one of those big city summer festivals and in the process chops up City approved NASCAR racing tourist trap traffic relapse fun into 4th dimensional shish kabob. All these recordings brim with crisp angular manic shiny exercises that retain freshness ( perhaps one of the few Net spaces where the spirit of Tommy Bolin Tommy Bolin https://g.co/kgs/XPSu2u isn’t lurking around at).
Beware of M25S05LF! You might end up trapped in a groove of prickly discordant ecstasy. Four out of five doctors agree you need to be prepared for binaural Banter with prescriptions in powder form mixed with previously mentioned hysterical medicine ( i.e. mathcore, No Wave, noise rock, avant classical, etc.) Who knew this private Idaho contagion would spread into the Net as a virus collaborating with other like minded reprobates rearranging the furniture in houses of the holy in the head?
Cuiibaii from the Asian side of Milwaukee, Wisconsin provides hauntology https://en.m.wikipedia.org/wiki/Hauntology_(music) for those who want to subvert nostalgia as a way of fighting back, or just understanding, current capitalism. Current capitalism is a sideways historical movement reproducing fractured and stunted social progress while producing much hyper high tech consumerism and connectivity as substitutes; reactionaries generally push for backwards movement including pre-capitalist feudalism or tribalism or revived 20th century fascism or renewed Cold War paranoia as “golden ages.” 21st Century fascism ironically draws from social and mass media confusion, 90s Neoist and Situationist influenced culture jamming and detournement, dividing gender and sexual identity against each other, etc. Music critic Simon Reynolds says Hauntology is a largely British genre of eerie electronics music fixated on ideas of decaying memory and lost futures. Marxist Mark Fisher stated that:
[W]hen cultural innovation has stalled and even gone backwards, […] one function of hauntology is to keep insisting that there are futures beyond postmodernity’s terminal time. When the present has given up on the future, we must listen for the relics of the future in the unactivated potentials of the past.
Cubbaii might not act as a weapon of mass seduction in the ways say a charged anthemic punk song or certain absurd high energy mixes of music and comedy within a Bollywood epic might encourage. The idea of using vintage vinyl recordings of 30s and 40s big band jazz in a micro subgenre such as signal wave or similar subgenres like “broken transmission,” “mall soft,” and of course “vaporware” is subtle subversion.
I started at random on #9. It was a jaunty number that felt like it would fit in with a forest preserve picnic with friends and/or family. I checked out the title of this Cubbaii release first. It translated into Age of Obscenity! Wow! Maybe this would fit in somewhere else instead of with mixed summer outdoors company like a BDSM dungeon with a poster of a hell bent for leather Mike Pence on his motorcycle born to be born again wild!It turned out the song was called “Stroll Around” when translated.
Another standout song was “As Far Away As A Yellow Crane.” It only lasted 30 seconds but it was memorable as either a happy time off from work or similar or perhaps an asymmetrical warfare signal? When this song was recorded was Mao still an anarchist or was this later around his turn to state capitalist bureaucrat as Chairman of the Communist Party of China? “Three Autumns A Day” sounds like an excerpt from a movie with a woman’s voice talking and a sour saxophone playing . It probably was a film excerpt that was destroyed during Mao ‘s Cultural Revolution? These signal wave tracks raise some questions about daily life in China’s first century of CPC existence.
He felt these old songs on Age of Obscenity touched up by Cubbaii are worth listening to with friends outside this summer but they also could be interpreted in more provocative ways. These micro subgenres inspired by Hauntology and its branches hypnogogic pop and chillwave are subtle yet complex critical thinking exercises or moments to relax to and then come up with some creative responses to problems as part of revolutionary praxis ( critical thinking+concrete experiments )taken out of a typical setting( Ex. a typical protest with “peace police” and vanguard and electoral parties without partying marching around cops who might outnumber protestors or not but they let them hand out approved of fliers to some shoppers walking by and maybe a party or union bureaucrat might chat with a cop or more and they agree to hang out at a bar nearby where the alder people also hangout and…zzz).
Warped Speed Ear Bleed Dynamic DIY Machines VS. NASCAR (What A Drag)
Sea of Shit https://nervealtar.bandcamp.com/album/self-titled
Duplah Pootch Hanichan Gasoline https://duplahpootchhanichangasoliiine.bandcamp.com/pelaye
Harmacist https://harmacistchaos.bandcamp.com/album/ii
Hatskrom -Methcrush https://youtu.be/Odu6a29cOp4
Cave Dweller Music https://cavedwellermusic.bandcamp.com/album/violence-against-violence
Nulldozer https://youtu.be/f9V64RBKOc8
Sea of Shit is back and well lit and fit ! This SOS should neither be confused with the Mike Love Beach Boys side project with anonymous GOP members nor the Chicagoland post rock and classic rock cover band The Sea in Hits. Since 2010, these dudes have been a force to reckon with in the Chicago/Midwestern power violence and hardcore scenes. Their current self titled LP starts off with the headlock of “Stave” followed by the knuckle storm of “Dwelling” into the tarpit of heavy “Unmasking” which picks up velocity and followed by other tight dynamic brutality forcing Eagle Man and Eagle Woman to fly away with their fishy auto insurance as the SOS mean machine can’t be stopped (for non Chicagoans Eagle Man and Eagle Woman are TV characters from Eagle Insurance. I’m sure other states had costumed variations of low budget commercial mascots. https://en.m.wikipedia.org/wiki/Eagle_Insurance )
The 4:15 epic power surging dirge “Drainage” and short industrial singed “Undiagnosed” close out the house on fire 🔥. The line up this time includes the rhythm section of Sick/Tired which consists of a couple of guys I know who also played more experimental fare as Winters In Osaka.
I’ve experienced them at Reckless Records and a basement show. Both times motorvated pits without mercy. If you want brutal bone crushing with intelligence unsafe at any speed, I highly recommend them live and their self titled LP on Nerve Altar.
Duplah Pootch Hanichan Gasoliiine certainly used a Canadian sounding name, eh? While I came across them via the Noise Rock Now FB group , I also felt they were a noisecore, noisegrind, and no wave quirky concoction rather than say another noise rock band that wants to sound like Mertz, Chat Pile, later Unsane, etc. Sure I like grungy, sludgy, mid tempo or slower or faster bands that are more popular than No Wave, skronk, radical, sassy, speedy, quirky, etc. bands at times but I draw a bit from other influences outside of rock and noise as well. These Canadians are kindred mutants to me as opposed to guys who have nothing to say and want to play within restrictions and constrictions that get as boring as your job or welfare bureaucracy or other dead ends within capitalism.
As far as recordings go, Woup Pelaye is definitely in the top ten 2023 releases! Another recording of youngsters challenging dominant theoretical physics on a low budget and doing a fine job. No I can’t compare them to a bunch of bands right now but if you are a college DJ or podcaster you should definitely play them in a set with obscure Japanese noise , Diamanda Galas –The Litanies of Satan, Caroliner, Royal Trux’s Twin Infinitives, early 80s End Result ( the Chicago band), etc. Also slip this in at your school prom somehow.
Logistics are important to bring up after hearing this non stop. Are you traveling below your border this year? Do you have connections already in Chicago? Would you like to play a gig with my band and others who can relate to your mania? More will hopefully be hashed out. We are serious about our deviant praxis.
Too bad Harmacist didn’t exist when I was struggling with math in junior high and high school and was forced to go to summer school for it a few times. If only we had mathgrind, chaotic hardcore, and grindcore to help with understanding and remembering formulas and other shit! Well anyway compulsory capitalist education with specialists managing students ,instead of kids having a lot of input and critical and creative ways of sharing learning through free schools or alternatives to schools, will make things miserable so we can go along with miserable employment, miserable families, miserable finances, miserable politicians, etc. Education and learning are not the same.
Harmacist helped me learn some useful things thanks to the extra tight, brutal, skronking, distorted, and unrelenting sonic session.
3guitars +1 bass+1 drums+1 vomit= 14minutes 25 seconds of killer mathgrind !
5 band members can add, subtract, and multiply within the duration of a set with precision yet can retain intense emotional release via the vocals over and over
Harmacist ‘s II made it to my top ten of 2023.
Someone criticized on the Grindwar Channel that the Hatskrom photo shows the devolution of past Black Metal recording pictures such as someone mysterious and sinister running in the woods years ago but now some guy, Hatskrom ?, banally buying drugs. I don’t have 20/20 vision but this guy looks kind of a like a friend of mine. Maybe this picture could be of something less shocking transpiring? Maybe he’s buying a pair of socks as it is cold in Norway? Maybe it’s his mother’s birthday and is buying perfume for her? Maybe he has a sweet tooth and is seeking candy?
We start with the dentist appointment of “Anarki De Sade,” jump to almost surf sounding but malevolent “Nekrofylla,” skipping to another surf like wipe out with Midi drums but even more psychotic and better for it. With the further mixing of Midi, his mutant growling, screeching, and yelping, the excessive reverb, a dental drill(?),0 the trebly guitar skronk and surf trash playing , and other things that go Bomp! in the night, I come to a perverse conclusion suited for his future recordings…hook up with Lightning Beatman!
Look up Lightning Beatman and The Church of the Herpes online. You have some manic crossover with what he was doing then. He was blaspheming religion with a mix of garage punk, gospel organ, and noise. His dark humor and high energy will work with your psycho ability. Yeah he digs psychobilly too! Good luck with goo goo muck. You can probably eat a bat head or two with him in a good bar with food and work it out.
Cave Dweller Music is: a site that promotes and reviews new/up and coming, metal, punk, noise, industrial, dark and experimental music, as well hosting a podcast/interview series and brewing their own beer. Run by several dudes from different parts of the world who love music. They also have compiled grindcore,power violence ,and death metal bands to raise funds to charities this year dealing with warfare in Syria, Myanmar, Ukraine, Yemen, and elsewhere. One of the bands on their Violence Against Violence compilation , Blackwater Sniper, released a particularly strong condemnation of US government-sponsored mercenaries who committed war crimes in Iraq and Afghanistan.
I will post some stuff dealing with Doctors Without Borders after the review which isn’t the worst information you’ll ever encounter (unfortunately I couldn’t find any leftcom, anarchist, councilist, etc. critiques on them, specifically or generally about such charities) but we need to remind ourselves that nothing and nobody is above criticism. Ultimately, capitalism causes such warfare to begin with as well problems within charitable agencies offering aid to those caught in warring countries. Until global anti-capitalist/ anti-statist/ maximalist revolution finally happens, we will have to deal with contradictions in our daily survival within social separation.
Out of 44 bands some of the tracks that stand out for me include: Chicago’s Very Own…Morgue Supplier with clear but not tepid gripping production on “Equipped To Obliterate,” Blackwater Sniper-“The End of Good Times,” Thlurm-“Slaughter Blotter,” Maggot Crown- “Clawing Submission” which sounds like some fight from an Alien Vs. Predator movie , Boiled Tongue -“Standing On Bodies,” Maakeskit-“Demonic Chainsaw Surgery” (this sounds slightly like Kevin Ayers from his Soft Machine days trying to imitate Lemmy while maybe Rob Zombie is mixing the music), Gestation Curiosity-“Premature,” Power Outage -“Wasted Times Kill,” Grindle-“Hate City,” Kamikaze Pilots-“A Fucking Failure In The Waiting,” Castle of Good Hope -“Rats Eating Rats,” etc.
I promised you a bit of critique of Doctors Without Borders aka Médecins Sans Frontières https://en.m.wikipedia.org/wiki/M%C3%A9decins_Sans_Fronti%C3%A8res Check out Ethical Concerns and criticism in the link. Also check out NPR https://www.npr.org/sections/goatsandsoda/2022/05/09/1091122969/msf-doctors-without-borders-racism
Nulldozer‘s Nulldozer II is a worthwhile recording packing Harsh Noise into a Black Metal pipe and smoking it. I find much of it is instrumental. I also can feel open mind surgery better . These songs feel like they were composed for movies and cats weened on medical marijuana. I hear psychic warfare going on. Static age indeed.
Nulldozer has potential to open up another dimension but it will probably need more vocals to bridge scientific and occult dynamics and something in the mix like an old Farfisa or Vox electric organ. I feel the daisy chain extended from early Soft Machine into ? and the Mysterians into The Stranglers with Hugh Cornwell into Captain Sensible ‘s Soft Machine influence on Machine Gun Etiquette, Black Album, and Strawberries, etc. We’ll see what happens hopefully in a few months or so.
Some Harmful Matter Your Librarians Would Love To Hand Out As Mental Floss Against Cavity Creeps Serving The Capitalist Spectrum of Politricks
Note: We don’t have to agree 100% with the following texts but we need to mentally and physically exercise and expand praxis for immediate and long term change locally and globally. Read and share.
https://brooklynrail.org/2023/06/field-notes/Deeds-and-Propaganda?fbclid=IwAR2MWmEUTs32d8Nn3N-TkNpgDBZftmDIZ1YMWXiKZg5NDfpz2dU-ni5J2sg Deeds and Propaganda by Jasper Bernes
http://www.ruthlesscriticism.com/headproblem.htm?fbclid=IwAR2q1ITZhKM4paNZ39Kom5tZzVQZ1McvweUuaGmiVSohG5shxmHE_eq5uH0 Finally Discovered —Unemployment Is A Head Problem
https://libcom.org/article/wildcat-strike-russian-army-supplying-plant-and-first-mass-armed-desertion-donbass?fbclid=IwAR01HdEUF9hvqp97JGEN2fkjMU9r7rQTuUGLO_iLsCb4Jps3_ph7GDdAPyc Wildcat strike at a Russian army-supplying plant and the first mass armed desertion in Donbass
https://briarpatchmagazine.com/articles/view/health-is-capitalisms-vulnerability?fbclid=IwAR1s_u9pGcFnjUbKDE2VFVbwZU73iGInfyfI4B3CinqbNytekYUcRhUDgGI Health Is Capitalism’s Vulnerability
https://www.archpaper.com/2021/04/icebergs-zombies-and-the-ultra-thin-architecture-and-capitalism-in-the-twenty-first-century/?fbclid=IwAR3vYah_uCLb30GdVz9Mx8AJfNbnE3SjO6PbkyO8cB92W18QFTEvWG6rDjk A Marxist architecture critique posted by a former comrade who died. He reviewed Icebergs, Zombies, and the Ultra Thin : Architecture and capitalism in the 21st Century by Matthew Soules
https://www.bloomberg.com/news/articles/2011-09-26/are-violent-flash-mobs-really-a-trend?fbclid=IwAR3fmwQwBpdjDsOpI7DeFy0n97PJkel4YPEJ4RDtf7KHLlhGcyWKwPYzGGk A still useful look at Black and Brown poor and working class youth as flash mobs in 2011 downtown areas. Are Violent Flash Mobs Really A Trend?
https://libcom.org/article/wildcat-strike-russian-army-supplying-plant-and-first-mass-armed-desertion-donbass?fbclid=IwAR0REW2U9kpfb4MVCMmcarofIaHegoUnl8sYxoE9PmXTmEJWrTkproCc9KI A A recent wildcat strike at a Russian army supplying plant and the first mass armed desertion at Donbass.
screemz 
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